David Johnson

David Johnson was a talented member of the second generation of Hudson River School artists.  He was primarily self-taught with no formal artistic training, except for a few lessons with artist Jasper Cropsey.  In addition to his early training with Cropsey, Johnson also painted with fellow Hudson River painters, John F. Kensett and John W. Casilear, who also helped develop Johnson’s artistic skills.

Johnson became a keen observer of nature, depicting with detail rocks, water, plants and trees.  His work was greatly admired by collectors and artists alike during the nineteenth century.  As artist Benjamin Champney pointed out: “He has shown…what such conscientious study may lead to, as he has quietly and modestly attained a very high rank as one of the leading landscapists of New York.”

Johnson often signed his paintings with distinctive intertwined initials. He also signed his name and recorded the locations of paintings on the reverse of his canvases, panels and boards.  The primary locations for many of his compositions were the Hudson River Valley, the White Mountain region in New Hampshire, the Androsoggin River in Maine, and scenes from Vermont, New Jersey and Connecticut.

The artist exhibited his work frequently at venues including The American Art Union, The Brooklyn Art Association, Pennsylvania Academy of Fine Art, The Paris Salon of 1877 and the National Academy of Design.  He became a full member of the National Academy of Design in 1861. His paintings can be found in many museums and private collections.

By the end of the nineteenth century David Johnson had gained a reputation as “the best painter of trees in America” and acquired the nickname the “American Rousseau,” in reference to Barbizon School landscape painter Theodore Rousseau. Best known for landscape paintings and his “knowing naturalist eye,” Johnson depicted scenic views in Connecticut, Massachusetts, Maine, New Hampshire, New Jersey, New York, Virginia, and the far West. He also was an accomplished portrait painter.

Johnson was born in New York City in 1827. Despite his claim that he was self-taught, archival records indicate that he registered for two years (1845–1847) at the antique school of the National Academy of Design. He studied briefly with the Hudson River artist Jasper F. Cropsey (1823–1900). He also may have received some instruction from his older brother Joseph Hoffmann Johnson (1821–1890), who painted portraits, and from his study of art books, which he is known to have borrowed from the National Academy of Design’s library.

From the start of his career, Johnson was associated with the second generation of Hudson River artists, and he completed his first dated landscape in 1849 in the company of two prominent Hudson River painters, John F. Kensett (1816–1872) and John W. Casilear (1811–1893). This group of artists is now best known for the development of Luminism, a landscape style characterized by atmospheric light effects, tranquil compositions, and precise renderings of nature.

Johnson experimented with a variety of British, French, and American styles, and he proved adept at developing and altering his style to suit the changing tastes of the time. By the late nineteenth century, Americans had begun to favor and to collect landscapes by French Barbizon painters, including Rousseau and Narcisse Diaz de la Pena. Such patrons preferred general, pastoral scenes to depictions of identifiable American natural landmarks. By adopting Barbizon formats in the 1870s, the versatile Johnson found a “second life” as a painter, but it is his paintings that predate 1870 that are most sought after today.

He revisited the Hudson River imagery he had painted so meticulously in his early career with a more intimate, free manner after 1870.

By 1850, Johnson was exhibiting regularly at the National Academy of Design in New York, where he became an associate in 1860 and a full academician the following year. His works also appeared in exhibitions at other major American art centers, including Chicago, Boston and Philadelphia, and Scenery on the Housatonic was shown at the Paris Salon of 1877. He died in Walden, New York, in 1908.

References: “What our artists are doing,” The Studio (New York) IX (28 April 1894) as quoted in Gwendolyn Owens, Nature Transcribed: The Landscapes and Still Lifes of David Johnson (1827–1908) (Ithaca: Herbert F. Johnson Museum of Art distributed by University Press of New England, 1988), 53; Owens, Nature Transcribed, 17; John I. H. Baur “‘. . . the exact brushwork of Mr. David Johnson,’ An American Landscape Painter, 1827–1908,” American Art Journal 12, no. 4 (autumn 1980), 33; Who Was Who in American Art.